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Editorial series Deer In Headlines extended to a new podcast

In Local News, Media, News Media, Technology, Uncategorized on April 23, 2024 at 3:05 pm

The long-running Xenia Daily Gazette editorial series “Deer In Headlines” has expanded to meet the evolving needs of its audience and is now available as a podcast. Produced by GLD Communications, the weekly column made the leap to digital airways in early April. Listen free – https://deerinheadlines.podbean.com/

Gery Deer is a prolific freelance journalist, award-winning copywriter, editor, and the founder and creative director of GLD Communications, a public relations media agency based in Jamestown, Ohio.

Deer has written for dozens of publications and private clients, providing feature stories, business articles, and three long-running syndicated newspaper columns. The most prominent, “Deer In Headlines,” was a hard-hitting, award-nominated weekly op-ed series from 2008 to 2018.

After a five-year hiatus, Deer revived the series by popular demand, and it is currently published weekly, in print and online. Aptly titled “Deer In Headlines II,” the current series holds a mirror up to the world in a more personal, conversational approach. It has already gained three award nominations.

The podcast, an extension of the newspaper column, offers a unique experience. It not only covers similar topics but also provides a personal touch. Some episodes feature author readings, offering a glimpse into Deer’s process and the stories’ takeaways. This distinct approach sets the podcast apart, making it an attractive sponsorship opportunity.

Deer believes the audience will find value in the podcast’s intimate connection with the author. “Deer In Headlines was never supposed to last this long, but I’m always gratified to hear that people enjoy it and find something useful in my words,” said Deer. “On the podcast, I’ll be talking about the origin of some of the topics, and we’ll discuss writing and books, and, later on, even hear from some guests.” This value proposition makes the podcast an appealing platform for sponsors.

Each episode will run for 15 to 30 minutes. The series is free and available on most streaming platforms, including iHeart Radio, Apple Podcast, Podbean, Google Podcasts, and Amazon Music Podcasts, with more platforms coming soon. A video version of select episodes is also available on YouTube. Just search “Deer In Headlines,” and remember to subscribe for instant notification of new episodes and bonus material.
Deer values his readers’ support of his mission to promote literacy and quality journalism. Therefore, he is offering sponsorship opportunities for the podcast, with a portion of the proceeds going to promote literacy through Reading Is Fundamental.

The weekly print and online column is available by subscription to the Xenia Daily GazetteFairborn Daily Herald, and Beavercreek News Current. It is also available free online at www.deerinheadlines.com on a two-week delay.

The Carriage Returns

In Business, Local News, News Media, Opinion, Technology on April 20, 2024 at 1:22 pm

Deer In Headlines II
By Gery Deer

You may not believe it, but I’m writing this week’s edition of “Deer In Headlines” on an antique manual typewriter. Remember the typewriter? The truth is, I just bought this machine a few days ago at TB Writers Plus, a startup typewriter shop in Dayton, Ohio.

It’s a sleek 1945 Smith-Corona Clipper, matte black with a textured chassis and enameled keys with gold letters. It sounds like I’m describing a classic car, doesn’t it? That’s exactly how some people see it.

Your next question is obvious, and I’ve heard it a dozen times already – why? I’m a technically savvy person with a significant digital presence. So why would I sit down to write on an old typewriter? That’s a great question. I’ll try to answer as we go. Let me first say I’m not alone.

Over the last twenty years or so, interest in typewriters has been on the rise. That sharp, rhythmic clickety-clack has charmed a whole new generation of writers, collectors, and nostalgics. It’s commonly known that actor, author, and director Tom Hanks is a long-time typewriter collector. Whole communities of typewriter enthusiasts share photos and samples from their beloved machines online and in person.

Many attend type-ins, where people gather at typewriter shops, homes, libraries, or anywhere else to, well, type. I often compare it to a cruise-in car show, except with typewriter enthusiasts. There’s even an activity called type-casting, where you create something on a typewriter, scan it as an image, and post it online. (Learn more about the so-called “Typewriter Insurgency” here.)

As a Gen Xer who hit high school during the 1980s, modern office tech was still coming of age. We barely had reliable copy machines. Most schools and businesses had a mix of PCs and typewriters (mostly electric), so I learned both almost simultaneously. I’m comfortable with either.

In the background, Gery’s 1963 Royal Safari. (Photo by Hue12 Studios, Dayton, OH)

I bought my first manual typewriter while I was in college, mostly for its portability. A good bit of my earliest writing was done on that machine. It was—or rather is—a 1963 Royal Safari, light blue with off-white keys and accents. It still sounds like I’m describing a ‘57 Chevy. And yes, I still have it.

Aside from nostalgia and mechanical admiration, I think digital overstimulation may have contributed to some people’s leaving the computer behind. I can relate. I’m so immersed in the continuous urgency of the digital environment that I just want—no, need—the quiet of the old ways.

I know the typewriter can be noisy, but I wasn’t referring to “quiet” in that sense. When those keys snap against the paper, I am fully engaged and undistracted from my writing. The slower pace allows me to choose my words more carefully, and there are no pop-ups, email messages, or social media nonsense. It’s kind of freeing.

I’ve also heard some people turn to the typewriter out of paranoia. Privacy has become a real concern in the digital world, and viruses can’t infiltrate typewriters, nor can your printed pages be hacked. You’re most definitely off-grid. But there’s a price to pay for that – time.

You will probably still have to transfer whatever you type into a digital file. Since my column is delivered to the publisher electronically, what you’re reading now was scanned and cleaned up in digital form before being emailed to my editor. All told, it probably added an extra two hours to my process. Plus, I can’t type as fast on a manual as I can on a laptop – yet. That said, I highly recommend hand-strengthening exercises.

There is also something to be said for durability and workmanship. These machines were built to last. This old Clipper, made at the end of World War II, was clearly well-cared for and properly serviced by its last seller. It still works beautifully. How many laptops make it even five years, let alone 80? None.

Unfortunately, however, unless some manufacturer starts cranking out new parts or whole typewriters, once the remaining machines are used up, they’re gone. That really will be the end of an era. No backspace, no return. Just silence.

Until then, you’ll find this reporter parked behind my Safari or the old Clipper, banging out the next great works by Yours Truly.

(See the gallery for photos of the typewriters mentioned in this piece, and more.)

No job is bulletproof, not even mine.

In Economy, finances, Media, National News, Opinion, Technology, Uncategorized on April 20, 2024 at 12:02 pm


Deer In Headlines II

By Gery Deer

Have you ever been afraid for your job? I laugh when people think I can’t lose my job since I work for myself. As a writer, even working under my public relations agency, I’m often called “self-employed.” The immediate assumption is that no one can fire you.

There’s a lot of nonsense to unpack there. First, and possibly most important, there’s no such thing as self-employed. Unless you have a magical chest of gold or cash that continuously refills itself, you’re working for somebody who’s paying you. Being independently employed (my preferred terminology) means you’ve traded one boss for many (customers).

Second, working on your own means constantly beating the bushes, knocking on doors, and continuously selling yourself to generate a pipeline of work. My father and brother created multiple, simultaneous jobs for themselves because they never wanted to be out of work—and they never were.

My family seemed to always have multiple income streams—cattle, trucking, engine work, welding, anything that brought a buck. However small the amount of revenue, it added up. Mom and Dad ran the farm and our trucking business, and I always knew my family worked hard for what we had. No two days were alike. Dad might be out on one of our trucks or auctioning cattle one day. The next, he and my brother might be rebuilding a tractor engine and welding a broken hay rake—all before dinner.

Over the years, I adopted the same philosophy, but I wasn’t always independently employed. Once upon a time, I worked for “the man,” and the woman, and the corporate overlords, and whatever else they’re called. From engineering technician and mechanical designer to database developer and coder, I did the 8-to-5 grind for many years before going out on my own.

Writers in every industry are rapidly becoming an endangered species due to Artificial Intelligence.

Since much of what I did in the corporate arena was high-tech, the advanced skills required evolved rapidly. I constantly studied the latest technologies to avoid obsolescence. I’ve always been fascinated by computers, but keeping up with advances in computer technology during the 1990s was exhausting.

If that wasn’t enough to worry about, no matter my job, I always felt like something would ruin it. Someone would take it away from me or decide I wasn’t qualified, and that’d be that. I really did know what I was doing. But I suffered from terrible imposter syndrome. Then, one day, that was enough. I walked away.

Life as an independent professional can be tough, especially if you’re used to a steady paycheck and punching out at 5. At least no one ever gets fired, right? Wrong.

There’s a quote from the TV show “Mad Men” that goes, “The day you sign a client is the day you start losing them.” It means that every customer will eventually leave you—your fault, their fault, nobody’s fault. It’s just part of the process. So, when that happens, you are effectively fired. Depending on how many customers you have, that’s how many times you will be fired.

Despite the romanticization, self-employment is hard work and a bit like riding a bike. If you stop pedaling, you fall. You must exceed customer expectations the first time, or those firings I mentioned start sooner. Is that more secure than a corporate job? In many ways, yes. Let me explain.

If I am a “free agent,” I can play in whatever league I want. However, I only get to set some of the rules. I usually have to work within the guidelines of my profession or the client’s needs. One thing is sure, however. If I do my best, treat people with respect, and give them good value for their money, the work will continue.

That doesn’t mean I don’t worry about my job. I do, but for very different reasons. One is automation. Artificial intelligence, or AI, threatens the livelihood of writers in every industry, and what it generates is, at best, inadequate.

Another concern is that my skills will be devalued by a market flooded with amateurs and dabblers. These people produce inferior work, disparaging the profession and limiting potential business for the pros.

Ultimately, no one’s job is bulletproof—not even mine. Always demonstrate your best work. That will show your value, and you’ll stay employed – somewhere. In the meantime, try to remember that there’s always another job.